石家庄位于峡谷斜坡上,每天都在等待太阳落山。
The Shi House sits patiently on the slope of a ravine, awaiting each day for the sun to set behind the mountain.
这个项目由一个垂直元素和一些水平通道组成,选择石材材质,随着时间和天气的变化,成为其所依托的山的一部分;以及一个水平的白色元素,容纳了整个房子的设计方案。
This project is comprised of a vertical element housing the stairs and some horizontal circulations, opting for a stone materiality to become, over time and weather, part of the mountain it nestles upon; and a horizontal white element accommodating the entirety of this house's program.
石头体块垂直连接入口和车库与房屋的其余部分,后者位于这个颠覆性的白色、抽象甚至具有挑战性的体块内,它寻求自然与人工之间的视觉平衡。在一些东方文化中,人们相信要深刻体验任何现象,必须将两个对立面放在一起;这座房子可能是将这两个对立面相遇的一种联系:充满植被的巴洛克山与这两个柏拉图式的体块。
The stone volume vertically connects the entrance and garages with the rest of the house, which is nestled within this disruptive white, abstract, and even challenging volume that seeks a visual balance between the natural and artificial. In some Eastern cultures, it is believed that to intensely experience any phenomenon, one must place two opposites together; this house could be an exercise in the meeting of these two opposites: the Baroque mountain teeming with vegetation and these two Platonic volumes.
这座房子通过一堵盲墙与邻居隔离开来,并向前方和一侧敞开,那里有一个高尔夫球场和一个自然保护区,我们用简单的地板和屋顶水平框出了整个客厅,餐厅和厨房的长度;在房子的这一部分,建筑作为一个框架,强调了峡谷的美丽。为此,我们使用“延和”,或者环绕整个玻璃表面的内外空间,旨在扩散光线,并在山和房子本身之间引发平滑的过渡。
This house closes itself off from neighbors through a blind wall and opens up towards the front and one side where a golf course and a natural reserve lie, which we horizontally frame with something as simple as a floor and a roof spanning the length of the living room, dining room, and kitchen; in this part of the house, architecture serves as a frame that emphasizes the beauty of the ravine. For this purpose, we employ the Engawa, or interior-exterior space surrounding the entire glass surface, aiming to diffuse light and provoke a smooth transition between the mountain and the house itself.
然而,卧室或私人区域保持隐蔽,没有任何窗户通向外部。必要的照明通过一个长长的庭院获得,这是一个家庭的亲密聚集点,只通过天空与外界相连。
The bedrooms or private areas, however, remain secluded, without any windows to the exterior. The necessary illumination is received through a long courtyard, an intimate gathering point for the family, only connecting with the outside through the sky.
在这个房子里,社交区和私人区之间的中央分隔线被一个长轴所突出,以高尔夫球场为终点。这个轴线或走廊呈现出一个异常现象;一个略微弯曲的单面墙,旨在柔化旅程,也作为对这个家庭三个女性的致敬。
In this house, a central division between social and private areas is prominently marked by a long axis culminating in the golf course. This axis or corridor presents an anomaly; a single slightly curved wall that aims to soften the journey and also serves as a tribute to the three women comprising this family.
这座房子似乎轻轻地坐落在山上,而楼板的最后部分则轻轻地悬浮在其上,由桩支撑,这些桩被挖掘出来的同样的土覆盖着,给人一种这个巨大的白色元素只是决定停在那里的印象。
This house seems to sit gently upon the mountain, and the final part of the slab floats lightly above it, supported by pilings covered by the same earth from the excavation, giving the impression that this large white element simply decided to perch there.
PROYECT DESCRIPTION:
Architects: HW STUDIO
Website: www.hw-studio.com
Contact e-mail: hwarcstudio@gmail.com
Facebook: @hwstudioarquitectos
Instagram: @hwstudioarq
Location: Morelia, Michoacán. México
Google maps link: https://goo.gl/maps/CQRowL3L42DTZPrA6
Completion Year: 2023
Size: 440 mts2
TECHNICAL INFO:
Lead Architect: Rogelio Vallejo Bores
Architect: Oscar Didier Ascencio Castro
Team: Nik Zaret Cervantes Ordaz
Clients: Marisol Sandoval and Luis de la Puente
Budget: 500,000.00 USD
PHOTO CREDITS:
Photo credits: Cesar Béjar
Photographer's website: www.cesarbejarstudio.com
更新日期:2024-04-25 17:21:43
非常感谢 HW STUDIO 带来的精彩项目, 查阅更多