雨棚屋 - hhlloo

公司：	Studio MK27	类型：	建筑
地区：	巴西	标签：	别墅私宅

Canopy House 的位置经过精心规划，不会破坏周围的自然环境，并尊重严格的建筑足迹。该地点位于热带森林中，山坡陡峭，对设计和施工过程构成了挑战。必须仔细平衡出入口、视野和可行性。

The position of Canopy House has been meticulously planned not to disturb the surrounding nature, and to respect the strict construction footprint. The site, with steep slopes amidst a tropical forest, posed a challenge during the design and construction processes. Access points, views, and feasibility had to be carefully balanced.

白色棱柱由一系列支柱悬挂，因此房子几乎不接触地面。主入口通过螺旋楼梯进入，将露台与卧室连接起来。这种策略没有留下任何室内空间连接的替代方案；这是对天气、风、气味和丛林光线的一次彻底体验。

The white prism is suspended by a sequence of stilts, so the house barely touches the ground. The main entrance, accessed by a spiral staircase, connects the terrace to the bedrooms. The strategy leaves no indoor alternative for the connection of spaces; it is a radical experience of the weather, the winds, the smells, and the light of the jungle.

棱柱上方，一个高架平台俯瞰着檐篷。平台内部的轻质结构覆盖着由滑动玻璃板包围的起居区。室内外空间的过渡非常微妙，营造出一种持续而强烈的大西洋森林沉浸感。

Above the prism, an elevated platform overlooks the canopies. A very light structure, inside the limits of the platform, covers the living area enclosed by sliding glass panels. The transition between inside and outside spaces is extremely subtle, creating a constant and intense feeling of immersion in the Atlantic Forest.

室内设计专门探索巴西文化，每个纹理和物品都体现了国家当代设计、传统工艺和原创作品。Canopy House 是对巴西及其令人印象深刻的自然风光以及无限的文化多样性的颂扬。

The interior design exclusively explores Brazilian culture, with the presence of national contemporary design, traditional craftsmanship, and original work in every texture and object. Canopy House is a celebration of Brazil and its impressive nature, combined with its infinite cultural diversity.

专为这所房子设计的 cobogó 投射出阴影，在室内形成独特的图案，图案会随着一天的变化而变化。这种效果为材料的交响乐增添了一层纹理。以色列 Piaçava 设计的吊灯、边桌，甚至整面墙都使用了稻草。织物的多样性通过各种地毯、吊床和扶手椅展示出来，例如 Sergio Rodrigues 设计的 Vivi。木材的多功能性体现在滑动窗花面板、Pedro Petry 设计的咖啡桌和 José Bezerra 设计的雕塑中。最后，混凝土墙演绎了快板的压轴戏，将整个构图联系在一起。

The cobogó, designed exclusively for this house, casts shadows that paint the interior with a unique pattern that changes throughout the day. This effect adds a layer of texture to the symphony of materials. Straw is present in the pendants by Israel Piaçava, in the side tables and even a whole wall. The diversity of fabrics is displayed through a variety of rugs, hammocks, and armchairs, such as Vivi by Sergio Rodrigues. The wood in its versatility appears in the sliding mashrabiyas panels, the coffee table by Pedro Petry, and the sculpture by José Bezerra. Finally, concrete walls perform the allegro finale, tying the whole composition together.