圣殿隧道花园

公司：	RAD+AR	类型：	建筑
地区：	印度尼西亚	标签：	庭院花园

受“隧道尽头的光明与真理”启发的项目旨在探索宗教建筑如何通过在空间设计中融入现代主义影响同时保留其精神本质来演变。这些干预措施通过展示其原始遗址的原始之美，取代或补充了传统上与神圣空间相关的复杂装饰和天然材料。

The ‘Light and Truth at the End of the Tunnel’ inspired project aims to explore how religious architecture is evolving by incorporating modernist influences in spatial design while preserving its spiritual essence.These interventions replace or complement the intricate ornamentation and natural materials traditionally associated with sacred spaces by showcasing the raw beauty of its pristine site.

这座教堂位于印度尼西亚茂物市附近的乡村庄园内，是一座私人静修别墅和祈祷场所，旨在建立建筑与周围广阔自然之间深刻而微妙的关系。教堂中间有一个倒置的、模糊的隧道空间，旁边是一座静修别墅，让游客沉浸在寂静、敬畏和永恒的虔诚之中，让他们逃离城市生活的忙碌节奏同时反映出精神本身。

This chapel, commissioned as a private retreat villa and space for prayer on a rural estate near the city of Bogor, Indonesia, seeks to establish a profound yet subtle relationship between architecture and the surrounding extensive nature. It features an inverted, ambiguous tunnel space nestled in between, alongside a retreat villa that immerses visitors in silence, awe, and timeless devotion, allowing them to escape the hectic pace of city life—reflecting spirituality itself.

该设计通过重复下坡古老外骨骼结构的简单性，以现代主义的视角重新定义了神圣空间。这些结构通过并置的斜坡循环定期连接新的梯田建筑和空间，通向不规则的现有茂密树林。该建筑具有独特的特征，打造了一个超越物理领域的空间，连接了精神之旅，并创造了一条贯穿广阔开放自然的物理和非物理隧道。这种方法使这些结构（光线、规模、和谐和对比）实现了普遍的吸引力，同时仍然反映了它们的文化和精神基础。

The design redefines sacred spaces through a modernist lens by employing a repetition of the simplicity found in downslope archaic exoskeleton structures. These structures regularly bridge a new terraced building and spaces through juxtaposed ramping circulation, leading into the irregular existing and dense woods. The architecture possesses a unique character that crafts a space transcending the physical realm, bridging into a spiritual journey, and creating both a physical and a non-physical tunnel that penetrates vast, open nature. This approach enables these structures (light, scale, harmony, and contrast) to achieve a universal appeal while still reflecting their cultural and spiritual foundations.

该建筑由三个主要空间组成：半公共教堂、半公共圣母玛利亚精神花园以及私人静修主别墅和宾客别墅。隧道般的空间由单个块体雕刻而成，与许多倒置空间相交，这些空间里种满了现存的巨树，笼罩在薄雾之中。教堂包括不同程度私密的区域，通过流动的几何形状和戏剧性的灯光营造出来。该设计占地不到场地面积的10%，与自然地形无缝融合，隐藏起来并等待被发现。

The building features a program consisting of three major spaces: a Semi-Public Chapel, a Semi-Public Mother Mary Spiritual Garden, and a Private Retreat Main Villa & Guest Villa. The tunnel-like spaces are carved from a single block and intersect with many inverted spaces filled with giant existing trees, shrouded in mist. The chapel includes areas with varying levels of intimacy, created through flowing geometries and dramatic lighting. Covering less than 10% of the site’s footprint, the design integrates seamlessly into the natural terrain, hiding and waiting to be discovered.

起伏的结构与全玻璃墙和窗户隔开，创造出360度的开放视野，从各个方向看都是透明的，可以接近。这种设计营造出一种室内外体验——一种既世俗又神圣的姿态。一楼较小的神圣空间与两端的水体无缝连接，具有自由形式的自然梯田，与人造瀑布融为一体。空间的规模和自然光使其既是景观又是建筑，让人联想到过去的户外聚会。教堂的神圣空间是耶稣的漂浮身体，是隧道尽头的光线照亮的高潮精神空间。

The undulating structure, separated from the all-glass walls and windows, creates an open 360-degree view that is transparent and approachable from all sides. This design fosters an indoor-outdoor experience—a gesture that is as profane as it is sacred. The ground floor's smaller sacred space is seamlessly connected to bodies of water on both ends, featuring free-form natural terraces that merge with a manmade waterfall. The scale of the space and its natural light render it both landscape and architecture, alluding to past gatherings outdoors. The sacred space of the chapel serves as the floating corpus of Jesus, acting as the climax spiritual space illuminated by the light at the end of the tunnel.