连续的滑板公园

公司：	bureau David Apheceix	类型：	景观
地区：	法国	标签：	公园绿地

10年来，Bureau David Apheceix一直致力于将法国Boissy-le-Châtel的一个前工业工厂逐步改造成Galleria Continua的当代艺术场所。该项目开始于2013年，旨在保持和保护该地典型的工业荒地。滑板公园是这一改造的最新成果。

For 10 years now, bureau David Apheceix has been working on the progressive transformation of a former industrial mill in Boissy-le-Châtel, France, into a contemporary art venue for Galleria Continua. Started in 2013, the project aims to maintain and preserve the industrial wasteland, typical of the site. The skatepark is the latest addition to this transformation.

滑板公园是儿童和家长的聚会点，也是对涉及众多空间的实践的支持，同时也是勤奋的滑板爱好者的空间。滑板公园创造了临时的社区和持久的友谊，这种 "公共生活 "的质量使得在这个地方建立一个滑板公园的项目成为可能，以吸引那些不致力于当代艺术的新公众。

A meeting point for children and parents as well as a support for practices involving a multitude of rolling objects and a space for assiduous skateboarders, skateparks create temporary communities as well as lasting friendships. This quality of “public life” made relevant the project of a skatepark on this site, to solicit a new public that is not committed to contemporary art. It comes from the desire to reinterpret the fluid forms of the first Californians skateparks of the 1970s and the empirical shapes of non-standard architecture.

滑板公园被设计成一个连续的空间，避免了基本的空间划分，旨在作为一个景观的结构和一个容器。沿着穿过工业用地的旧铁轨延伸，滑板公园延伸到了树木和灌木之间。原始混凝土的弧形线条上承载着树木的阴影，它的形式对地形和现有植被的特点作出反应。该建筑探索了湿喷混凝土的可能性。在现场，金属框架被弯曲、组装和焊接，新鲜的混凝土被直接喷洒在金属钢筋上，然后在凝固前被拉动并抹平到所需的形状。

Designed as a continuous layer avoiding elementary divisions, the skatepark is intended as a structure for the landscape and a vessel. Stretched along the old railway tracks which cross the industrial site, the skatepark intrudes between trees and shrubs. By its length, it binds buildings in this distended territory. The curved line of the raw concrete welcomes the shadows of the trees, and its forms react to the specificities of the terrain and the existing vegetation. The construction explores the possibilities of wet-sprayed concrete. On site, metal frames are curved, assembled and welded. The fresh concrete is sprayed directly onto the metal reinforcement, then pulled and smoothed to the desired shapes before setting.

虽然受到滑板运动逻辑的限制，但该项目是一个开放的形式，有利于公众的使用。由于其如诗如画的偏向和场景化的特质，滑板公园在一个缺乏代表性的地区成为当地的地标。

Although constrained by skateboarding logics, the project is an open form that is propitious to opportunistic uses. Its surface stages complex figures as well as the most innocuous situations and gestures of watchers. By its picturesque bias and scenography qualities, the skatepark is an image transmitter in a territory where there is a lack of representation.