Tanatap遗产花园

公司：	RAD+AR	类型：	建筑
地区：	印度尼西亚	标签：	商业空间

Tanatap 遗产花园是一处小型建筑改造项目，它将布拉加历史街区中原本平庸的垂直建筑，曾被视为街景障碍的旧商铺，转变为颂扬历史价值的创意熔炉。项目初始阶段的核心挑战在于运用适应性再利用的基本手法，将这座荷兰殖民时期遗留的排屋结构改造成万隆布拉加街区的餐厅与咖啡馆。原为仓库的棚屋结构为我们提供了与历史元素对话的契机，既有的钢架、砖墙和立面等原始构件均得以创造性保留。

Tanatap Heritage Garden is a small architectural intervention that transformed a once-mediocre vertical building, which stood as a barrier in Braga's heritage shophouse, into a creative melting pot that celebrates its historical significance. The project's main challenge from the outset was to apply primary methods for the adaptive reuse of an existing Dutch heritage shophouse structure, converting it into a restaurant and coffee shop situated in the middle of a block on Braga Street, Bandung. The shed, originally a warehouse, provided us with the opportunity to work with many original elements inherited from its previous uses, such as existing frames, walls, and facades.

布拉加街坐落于印度尼西亚万隆市中心，以拥有百年历史的荷兰殖民时期排屋群而闻名。二十世纪二十年代殖民时期，这里作为繁华的步行街声名鹊起。街道两侧咖啡馆、精品店与餐厅构成的欧陆风情，曾为万隆赢得"爪哇的巴黎"（Parijs van Java）这一荷兰语美誉。因此，本项目在回应现代需求的同时，始终以谦逊姿态恪守传统精神与场所意识，追求静谧和谐的空间融合。

Braga Street is located in the center of Bandung, Indonesia, and is known for its 100-year-old Dutch shophouses, which became famous in the 1920s as a promenade street during the colonial era. The European ambiance of cafes, boutiques, and restaurants along the street helped Bandung earn the Dutch nickname "Parijs van Java" ("Paris of Java"). Therefore, the project emphasizes humility, tradition, and site awareness while fostering a quiet integration that responds to existing needs.

艺术家Wisnu Ajitama创作的古老海雅铁木雕塑，在外立面与保留的殖民建筑立面形成戏剧性对话，内部则通过错落的耐候钢艺术框架营造出张弛有度的空间序列。该设计始终遵循"让环境、历史与文化塑造空间"的核心理念，作为建筑实践的前瞻性微型样本，其以改造再利用为核心策略，为过度建设的城市更新提供了范式。这种以"再生优先于拆除"为导向的实践，不仅能降低建造成本、提升环境效益，更能延续既有建筑的生命周期，使其在未来数十年持续发挥价值。

An aged Haya tree ironwood sculpture, created by artist Wisnu Ajitama, serves as a contrasting focal point against the preserved facade on the exterior, while introducing multiple compress and release spaces on the interior through the use of various corten artistic spatial frames. The design prioritizes allowing the environment, history, and culture to shape the project. It serves as a small proactive prototype of architectural practice focused on reusing and refurbishing as the primary consideration when designing and reshaping our already overbuilt cities. This approach, which prioritizes reuse over demolition, can reduce costs, enhance environmental efficiency, and preserve functional structures that can continue to serve their purpose for years to come.