“只在此山中云深不知处”：MAC艺术博物馆观景平台

公司：	GRU Arquitetos	类型：	建筑
地区：	巴西	标签：	观景平台 \| 博物馆

1991年由奥斯卡·尼梅耶（Oscar Niemeyer）设计的尼特莱当代艺术博物馆（The Niterói Museum of Contemporary Art，rever como escreve，MAC）是巴西建筑界公认的标志之一。瓜纳巴拉湾的建筑和景观之间的界限非常清晰，由其钢筋混凝土结构的尖锐边缘固定。空间内的运动是受控制的：从干燥的广场、蜿蜒的坡道进入，最后是由结构边缘构成的景观。由完成建筑师准备的动作的人看到的序列。如果说这些条件似乎很难摆脱，那么正是从这些条件中，我们提出了一个发人深省的思考：如何摆脱MAC的惊人形象？如何质疑设计师为大众提供新体验的设计所施加的限制？

The Niterói Museum of Contemporary Art (rever como escreve) (MAC), designed in 1991 by Oscar Niemeyer, is one of the most recognized icons of Brazilian architecture. The boundaries between the building and the landscape of Guanabara Bay are very clear, fixed by the sharp edges of its reinforced concrete structure. The movements within the space are controlled: access from the dry square, the winding ramp and finally the landscape framed by the edges of the structure. A sequence designed to be seen by someone who fulfilled the set of movements prepared by the architect. If these are conditions that seem difficult to get rid of, it is from them that we formulate a thought-provoking challenge: how to get rid of the striking image of the MAC? How to question the limits imposed by the design of the old master offering the public new experiences?

项目为参观者提供了一个进入这个标志性物体的机会，同时也看不到它的形状轮廓。为此，我们在管状结构中植入了一个梯子，继续坡道的向上移动，将公众引导到博物馆的屋顶板上。在楼板的周边，我们设计了一个栏杆系统，也是管状结构，通过张拉的缆索系统固定到现有结构上，这样可以在不干扰楼板表面的情况下进行安装。

The “From Where You Can Not See When You Are” project offers visitors a chance to be in this iconic object while simultaneously losing sight of the contours of its shape. For this, we implanted a ladder in tubular structure that continues the upward movement of the ramp, leading the public to the roof slab of the museum. At the perimeter of the slab we designed a railing system, also in tubular structure, fixed to the existing structure by means of a tensioned cable system that allows its installation without having to interfere with the slab surface.

从屋顶板上看，图形和背景之间的关系消失了，一个未被探索的反思和意义的领域打开了。通常被认为是视觉外观、标志性地位和预定景观的建筑被颠覆为一个想象的平台，揭开了迄今隐藏的解释层的面纱。

From the roof slab the relationship between figure and background is lost, an unexplored field of reflection and meaning opens up. Architecture that is usually recognized for its visual appearance, iconic status and predetermined sights is subverted to a stand for imagination, unveiling hitherto hidden interpretive layers.