早晨小教堂

公司：	Flores & Prats	类型：	建筑
地区：	意大利	标签：	宗教空间 \| 教堂

一座小岛

在岛上，然后在花园里，在那里一个人的思想可以漂移到一个平静的反思之地。圣乔治的花园有一个扇形的步道结构，从帕拉迪奥的修道院到泻湖。项目处于沿着这些长长的小径之上，就坐落在这条步行线与水相交的尽头。

An island

To be on an island and then inside a garden, allows a state of being where one's mind can drift to a peaceful place of reflection. The garden in San Giorgio has a fan structure of walks, starting from Palladio's Cloister towards the Lagoon. The Morning Chapel is along one of these long paths, and sits right before this walking line meets the water.

©Adrià Goula

森林

项目被呈现为与小径平行的一堵墙。这堵“墙”有一扇门，你可以选择离开原有的路线进入森林，放弃这些直线的小径，冒着迷失方向的风险选择未知的道路，那么礼拜堂久变成了通往森林的大门，通往它所属的更宏伟的实体：一个由树枝邻接而成的自然圆顶，并从森林中借用了它的自然属性：气味、新鲜空气和光线。因此无论是建筑的还是植物的，都形成了一个拥抱游客的空间。这是一种节奏的改变，一种呼吸的改变。

The forest

The chapel is presented as a wall parallel to the path. This wall has a door, offering the option to step aside from the common route and move into the forest, abandoning the known destiny offered by these lineal paths in favour of the unknown, at risk of disorientation. The chapel becomes a door to the forest, to the grander entity to which it belongs: a natural dome made out of the adjacency of tree branches. The fragmentary condition of the chapel is thus complemented by the pine forest, and borrows its natural qualities from the trees in it: the smell, the fresh air, the noises and the light. Both elements, built and vegetal, form a natural clearance that embraces the visitor and creates a place to stay. It is a change of rhythm, a change of breath.

©Adrià Goula

紧凑

项目被认为是墙壁上挖出来的一个空间：一个厚度很大的房间向一侧开放，有层次和光线，也一个躲避雨水和阳光的空间。它是一种紧凑的建筑，具有连续的表面，以避免表达其建筑细节，而偏爱其坚实、原始的方面。这种古色古香的形式和装饰使它介于以前建筑中被遗忘的碎片和从一开始就开放的小教堂之间。它在对阿德里亚纳别墅废墟的记忆之间移动，移动到拉丁美洲的开放小教堂。

Compactness

The chapel is thought of as an excavation in a wall, a chamber in its thickness opened to one side, containing levels and light, a place to sit protected from the sun and the rain. It is a compact construction with a continuous surface, to avoid expressing its building details, favouring instead its solid, primitive aspect. This antique condition of its form and finishing makes it something in between a forgotten fragment from a previous construction and an open chapel from the beginning. It moves between memories of the ruins at Villa Adriana to the open chapels of Latin-America.