OAS/S-VESSE - hhlloo

公司：	直得建筑	类型：	艺术
地区：	中国	标签：	艺术装置

“抖音艺术”联合”梅联村MEILIAN CŪN”共同发起的二零二四抖音艺术街头计划第三站，于2024年11月30日正式揭幕。经过为期5天，共120个小时的驻地创作，直得建筑的装置作品“OAS/S-VESSE”在海南省三亚市崖州区梅联村展出。

The third stop of the 2024 Douyin Art Street Project jointly initiated by "Douyin Art" and "Meilian CŪN" was officially unveiled on November 30, 2024. After 5 days and a total of 120 hours of resident creation, Zhide Architecture's installation work "OAS/S-VESSE" was exhibited in Meilian Village, Yazhou District, Sanya City, Hainan Province.

梅联村是位于三亚市崖州区的村落，是梅山革命老区的四个村庄之一，当地原著名依旧保持着千百年来传承下来的独有的渔民生活，日出而渔，日落而息，与大海相依为生。

Meilian Village is a village located in Yazhou District, Sanya City. It is one of the four villages in the Meishan Revolutionary Old Area. The local original famous still maintains the unique fisherman's life that has been passed down for thousands of years. They fish at sunrise and rest at sunset, and live with the sea.

“OAS/S-VESSE”的整体造型充满着未来感和力量感，整体造型如同一只静卧在地面的鸟，又似一艘来自未来的太空飞船，融合了自然与未来的视觉张力。作品以黑色为主色调，运用当地渔民的黑色遮阳布作为主要材料，将远古的材料与技艺，和未来的科技想象相结合，体现出“远古与未来”的对话，传递出人与自然深度连接的力量。

The overall shape of "OAS/S-VESSE" is full of futuristic and powerful sense. The overall shape is like a bird lying quietly on the ground, and it is like a spaceship from the future, which combines the visual tension of nature and the future. The work is mainly black, using the black sunshade cloth of local fishermen as the main material, combining ancient materials and skills with future technological imagination, reflecting the dialogue between "ancient and future", and conveying the power of deep connection between man and nature.

“OAS/S-VESSE”坐落于梅联村海岸，面朝西南方向，与周边多样的自然环境展开对话。从不同角度观赏，作品与环境交织出深邃的交流。

"OAS/S-VESSE" is located on the coast of Meilian Village, facing southwest, and has a dialogue with the diverse natural environment around it. From different angles, the work and the environment are intertwined in a profound communication.

正午时分从顶部观看，作品似一只黑色的大鸟安静的伏于沙滩上，同时也如一艘太空飞船，承载着人类对自然的敬畏与创新的力量。这件作品希望唤起人们对生态保护的关注，以艺术的方式激发思考：如何在现代生活中实现人与自然的和谐共存。

Viewed from the top at noon, the work looks like a big black bird lying quietly on the beach, and also like a spaceship, carrying the power of human awe and innovation for nature. This work hopes to arouse people's attention to ecological protection and inspire thinking in an artistic way: how to achieve harmonious coexistence between man and nature in modern life.

从东向西望去，作品仿佛融入海洋和天空，三角形的结构宛如船帆，加之材料的自然收缩和张力，使作品整体既具有流动感也具有力量感，阳光洒在作品上并从缝隙中透过，使作品好似轻盈地漂浮于海面之上，展现出了渔民文化的历史悠久，又寓意人类从海洋启航，不断迈向星辰大海的探索历程。

Looking from east to west, the work seems to blend into the ocean and the sky. The triangular structure is like a sail. The natural contraction and tension of the material make the work as a whole have both a sense of flow and a sense of power. The sunlight shines on the work and penetrates through the gaps, making the work seem to float lightly on the sea, showing the long history of fisherman culture and implying the exploration process of mankind setting sail from the ocean and constantly moving towards the stars and the sea.

而从西向东观看作品，作品与村落中的棕榈林交响呼应，在视觉上和自然景观之间建立了一种深邃的对话。黑色的作品在阳光下沉稳而神秘，与棕榈林的翠绿相映成趣，产生了一种强烈的对比与和谐感。棕榈树枝叶的轻柔与作品材料的自然飘动彼此交织，体现出现代与自然的完美融合，黑色的形态仿佛从大地中生长出来，与棕榈树群中的动感与生机形成鲜明而富有诗意的对比。

When looking at the work from west to east, the work echoes with the palm forest in the village, establishing a deep dialogue between the visual and natural landscape. The black work is calm and mysterious in the sun, and contrasts with the verdant palm forest, creating a strong sense of contrast and harmony. The softness of the palm branches and leaves and the natural fluttering of the work materials are intertwined, reflecting the perfect fusion of modernity and nature. The black form seems to grow out of the earth, forming a sharp and poetic contrast with the dynamic and vitality of the palm trees.

作品的北方是村落渔民聚集地，黑色遮阳蓬与渔船布满海岸线，使得作品与渔村形成了天然的呼应，材质的统一赋予它一种融入又突显的独特魅力。作品的表面在阳光下散发出的光泽，与遮阳棚的质感相互呼应，仿佛是从渔民生活中生长出的艺术。既像是渔村的一部分，又像是超然于日常的存在。无论是静静矗立，还是被海风轻拂，它与周围的景象一起，讲述着渔民的故事，将生活的质朴与艺术的深邃完美结合。

The north of the work is a gathering place for fishermen in the village. The black awnings and fishing boats are scattered along the coastline, which makes the work naturally echo with the fishing village. The unity of materials gives it a unique charm that blends in and stands out. The luster of the surface of the work in the sun echoes with the texture of the awning, as if it is an art that grows out of the lives of fishermen. It is like a part of the fishing village, but also like an existence that transcends daily life. Whether it stands quietly or is gently blown by the sea breeze, it tells the story of fishermen together with the surrounding scenes, perfectly combining the simplicity of life with the depth of art.

跟随着作品的朝向向西南方向看去，作品与黑色礁石及远处的岛屿交相呼应，仿佛成为自然景观中的另一块“礁石”，它的黑色表面与礁石的粗犷纹理相呼应，延续了自然的质感，又以独特的形态将目光引向远方，仿佛是礁石与岛屿之间的桥梁。

Following the direction of the work and looking southwest, the work echoes with the black reef and the island in the distance, as if it has become another "reef" in the natural landscape. Its black surface echoes the rough texture of the reef, continuing the natural texture, and drawing the eyes to the distance with a unique form, as if it is a bridge between the reef and the island.

“OAS/S”呈现了对于人类发展历程和未来命运的深刻思考，象征着观者内心对理想世界的向往

人们心中的绿洲，意味着在追求未来的道路上，我们可以找到心中的净土和对世界的理解

在这个空间中，我们被引导去思考人类与自然、科技与环境之间的紧密联系，并思索我们对地球的责任和关怀，我们期待着唤起观者内心对环保与可持续发展的关注，并同他们一起

为创造更美好的未来而努力。

"OAS/S” presents a profound reflection on the development process and future destiny of mankind, symbolizing the viewer's inner yearning for an ideal world. The oasis in people's hearts means that on the road to pursuing the future, we can find the pure land in our hearts and our understanding of the world. In this space, we are guided to think about the close connection between humans and nature, technology and the environment, and to think about our responsibility and care for the earth. We look forward to arousing the viewer's inner concern for environmental protection and sustainable development, and working with them to create a better future.