凯姆佩戈达国际机场2号航站楼

公司：	Enter Projects Asia	类型：	室内
地区：	印度	标签：	商业空间 \| 公共空间

Enter Projects Asia设计、交付和建造了班加罗尔国际机场12000平方米安检后离境区的内部。该区域设有零售、接待和休闲区，采用超过 9 公里长的藤条设计，并采用了手工编织技术，规模之大前所未有。

Enter Projects Asia has designed, delivered, and constructed the interiors of the 12,000sqm post-security departures area of Bengaluru International Airport. The space which contains retail, hospitality and relaxation areas was designed using over 9km of rattan and features hand-wrought techniques at a previously unimagined scale.

BIAL有限公司与EnterProjectsAsia接洽，设计12000平方米的零售、酒店和Kempegowda国际机场出发区内的休闲空间，作为其内部的一部分

升级。BIAL Ltd. 受到 20 世纪花园城市规划运动的启发，班加罗尔市就是以花园城市运动为基础的，BIAL Ltd. 希望重新构想一个城市和乡村可以共存的未来，为机场每年 2000 万游客创造一个乌托邦式的礼物。

Enter Projects Asia was approached by BIAL Ltd. to design 12,000 sqm of retail, hospitality, and relaxation space within Kempegowda International Airport’s departures area as part of its interiors upgrade. Taking inspiration from the 20th-century Garden City urban planning movement, upon which Bangalore city is based, BIAL Ltd. wished to reimagine a future in which the best of the city and the countryside could coexist to create a utopian present for the airport’s 20 million annual visitors.

基恩和他的团队明白，还有另一种方法可以实现封闭、庇护、隔离、隐私和传统建筑要求的功能，即使用一套更柔软、更自然的材料。在研究了过去几十年的超级机场后，基恩挑战自己，构思出一种下一代设计，与那些往往美丽但功利、企业化、最终是硬空间形成鲜明对比，这些空间优先考虑不可持续的面板材料。通过将芦苇、藤条和竹子等植物材料从东南亚的精品养生度假村中分离出来，用于如此明显的城市和商业环境，并以这样的规模使用，基恩希望大胆地表明未来触感、可持续性和亲生物设计的可能性和必要性。

Keane and his team understood that there was another way to achieve the functions of enclosure, shelter, segregation, privacy, and conventional building requirements by using a suite of softer, more nature-based materials. Having studied the super airports of the last few decades Keane challenged

himself to conceive a next-generation design as an antithesis to the often beautiful, yet utilitarian, corporate, and ultimately hard spaces that prioritize unsustainable panel materials. By taking plant-based materials like reeds, rattan, and bamboo out of context, away from the boutique

wellness retreats of Southeast Asia, for use in such an overtly urban and commercial environment, and at such a scale, Keane wished to make a bold statement regarding the possibility and necessity of tactility, sustainability, and biophilic design for the future.

EPA 开发了其标志性的设计语言，并利用其独特的手工制作方法，创造了一系列曲线优美、雕塑感十足的藤条吊舱，其规模比之前想象的要大得多。最大的吊舱高近 8 米，整个项目使用了超过 9 公里长的藤条来替代混凝土和钢材等矿物材料。设计本身结合了 5 个巨大的吊舱结构以及巨大的柱子覆层，全部由藤条制成。最大的吊舱将容纳 Wolfgang Puck 餐厅，拥有 750 平方米的内部建筑面积、巨大的内部楼梯、小凉亭和自己的花园。其余的吊舱将被其他世界知名品牌占据。

EPA developed its signature design language and harnessed its unique handmade approach to create a series of curvaceous, sculptural rattan pods at an exponentially larger scale than previously imagined. The largest of the pods stands at nearly 8m high and the project overall used over 9km of rattan in replacement of mineral materials such as concrete and steel. The design itself incorporates 5 colossal pod structures along with vast column claddings all fabricated in rattan. The largest of the pods, which will house a Wolfgang Puck eatery, features 750 sqm of internal floor space, a huge internal staircase, a small gazebo, and its own garden. The remaining pods will be occupied by other world-renowned brands.

EPA 与泰国传统手工艺人合作，为这些传统工艺社区提供新的生命线。该设计的每个部分都是在 EPA 曼谷工厂手工编织而成，符合该公司定制的物流软件，可提供最高效、最经济、最可持续的运输解决方案。这种新颖的高科技软件与手工工艺的融合，以及对天然材料的优先考虑，定义了该公司屡获殊荣的创新和可持续发展方法。

EPA works with traditional Thai craftspeople, providing a new lifeline for these heritage craft communities. Each section of the vast design was handwoven at EPA’s Bangkok factory in line with the practice’s bespoke logistics software for the most efficient, economical, and sustainable shippingsolutions. This merging of novel high-tech software and handmade craft, along with the prioritizing of natural materials defines the practice’s award-winning approach to innovation and sustainability.

设计细节利用藤条编织的密度，既有全密度，又隐藏了功能齐全的厨房和房屋后部，然后编织戏剧性地转变为一种非常开放的风格，增加了一种成长和活力的感觉，设计本身就像一个有机元素。照明设计增强了这种效果，并增加了空间的体验性和亲生物性。重点是增强材料的自然温暖。种植为该计划增添了画龙点睛的效果，700 年历史的橄榄树、空中花园和茂盛的葡萄藤都为花园城市的概念做出了贡献。

Design details play with the density of rattan weaving, at once full density, hiding functional kitchen and back of house, the weaving then morphs dramatically into a very open style adding a sense of growth and dynamism in which the design itself feels like an organic element. Lighting design enhances this effect and adds to the experiential and biophilic nature of the space. The priority is the enhancement of the natural warmth of the materials. Planting adds the finishing touches to the scheme with 700-year-old olive trees, hanging gardens and thriving vines all contributing to the Garden City concept.