阿姆斯特丹 Wow Lieven 文化中心

公司：	Atelier Carloalberto	类型：	室内
地区：	荷兰	标签：	文化空间 \| 办公室

阿姆斯特丹是欧洲最面临城市转型时期的首都之一。大批学生、企业家和支持艺术界的政策的到来，推动了毗邻市中心的郊区新住宅区的发展。在许多情况下，预测这些组合是为了为这些用户类型提供特定的服务。此外，在这些住房方案的规划过程中，一个关键因素是引入文化中心，居民之间的社交和互动发展并创造联系。在这些项目中，有一个名为WOW Lieven的项目，它位于阿姆斯特丹新西区的学生公寓建筑群Lieven，目前仍在建设中。

Amsterdam is one of the European capitals that is most facing a period of urban transformation. The arrival of a large number of students, entrepreneurs and a policy that supports the artistic world, has led to the development of new residential complexes located in the suburban districts adjacent to the city center. These compounds, in many cases, are projected in order to provide specific services for these typologies of users. Moreover, a key factor in the planning process of these housing schemes is the introduction of cultural hubs where the sociality and interaction between the residents grows and creates connections. Among these, there is WOW Lieven, located in the student housing complex Lieven, still under construction, in the New-West area of Amsterdam.

WOW Lieven文化中心的室内设计项目是由建筑师Carlo Alberto Monteverde实现的。200平方米的场地分为两层：一楼是一个充满活力的开放空间，一楼是一个安静的区域，在这里有办公室和工作人员的服务室。主要的概念来自于客户的要求，即为艺术家和参观者创造一个会议空间，它可以成为一个工作场所，同时也是一个展览中心和互动的场所。因此，这个想法形成了一个交叉点，一个被简化为本质的空间，它可以面对几个不同的用途，以突出用户的不同表现。

The interior design project Of the WOW Lieven Cultural Hub has been realized by the architect Carlo Alberto Monteverde. The 200 square meter site is divided in 2 levels: the ground floor, intended as a dynamic and vibrant open space, and the first floor, a quieter area where are located offices and service rooms for the staff. The main concept raised from the request of the client to create a meeting space for artists and visitors, that could become a working spot, but also an exhibition center and a place for interactions. So, the idea takes shape as a crossing point, a space reduced to the essential, that could face several different uses in the time, in order to highlights the disparate expressions of the users.

底层的开放空间区域被划分为三个主要区域，可通过明显的色度变化来识别：入口处是蓝色区域，主要用于音乐会和展览；中间是黄色区域，设有酒吧和共享办公桌；最后是红色区域，主要用于餐饮。这些区域由一系列简单的胶合板加工的开放式盒子组成，其灵感来自于运输艺术品的 "保险箱"，根据所组织的活动，这些盒子具有不同的功能。在这个空间的旁边，还有一个工作室，位于一个未完成的木质框架结构内，被认为是一个安静和隐蔽的空间，用于教育和辩论。

The open space area at the ground floor is divided in three main areas, recognizable by a distinguished chromatic variation: at the entrance is located the blue area, mainly for concert and exhibitions; at the center, instead, there is the yellow area, with a bar and a shared desk; at the end there is the red area that is principally concerned for dining. These divisions are composed of a series of simple plywood-finished open boxes, inspired by the “safe boxes” for the transportation of artworks, that assume different functions, depending on the events or the activities organized. Beside this space there is the workshop, located inside a wooden unfinished-look frame structure, thought as a silent and secluded space for educational and debate use.

此外，在整个文化中心的中央，有一座由建筑师Carlo Alberto Monteverde特别设计的雕塑。这座雕像基本上是艺术家们最常用的工具之一，即人体模型草稿，它以人类做梦的姿态出现。为了实现它，作者决定使用镀铬饰面，以便与周围环境相映成趣。木箱的内部饰面与工作室一样，由层叠的穿孔板组成，用户可以根据自己的需要，悬挂临时展览的艺术作品或工作工具。

Furthermore, in the middle of the whole cultural hub, is positioned a sculpture designed ad hoc by the architect Carlo Alberto Monteverde. The statue is basically one of the tools that is used the most by artists, the draft mannequin, who is represented in a human dreaming position. For its realization the author decided to use a chrome finishing in order to mirror the surrounding environment. The inner finishing of the wooden boxes, as the workshop one, are composed of laminated perforated panels that could be customized by the users by hanging artworks for temporary exhibitions or working tools.

整个项目可以完全拆解，并在不同的空间中更换，作为一个概念性的结论，在时间性和转换中找到其关键价值。

The entire project could be completely disassembled and replaced in a different space, as a conclusion of a concept that finds its key values in temporality and transformation.