Burrell Collection博物馆翻新与改造

Burrell Collection博物馆是欧洲最好的博物馆之一，位于战后苏格兰少有的A类建筑之中。 其非凡的收藏品包括9000件跨越6000年的精美和装饰艺术作品。这些丰富多彩的藏品是1944年由克莱德航运商人、收藏家和慈善家William Burrell爵士（1861-1958）捐赠给格拉斯哥市。

The Burrell Collection is one of Europe’s finest museums housed in one of the very few Category-A listed post-war Scottish buildings.  Its extraordinary collection consists of 9,000 works of fine and decorative arts spanning 6,000 years. This richly eclectic assemblage was donated to the City of Glasgow in 1944 by Sir William Burrell (1861-1958), the Clyde shipping merchant, collector and philanthropist. 

1983年，这座收藏馆被安置在一座广受好评的博物馆建筑中，该建筑由三位年轻的剑桥建筑师学者Barry Gasson，布里特·安德烈森Brit Andresen和约翰·穆尼耶John Meunier设计。这座开创性的20世纪建筑由红色Dumfriesshire砂岩、抛光混凝土、不锈钢、木材和玻璃制成，占据了距离格拉斯哥市中心四英里的Pollok郊野公园的森林。2016年，代表格拉斯哥市议会提供文化、体育和学习活动的慈善机构Glasgow Life任命John McAslan + Partners为建筑师和景观设计师，负责博物馆长达五年翻新和改造项目。

In 1983 it was housed in a critically acclaimed museum building designed by three young Cambridge architect-academics - Barry Gasson, Brit Andresen and John Meunier. Made of red Dumfriesshire sandstone, polished concrete, stainless steel and timber and glass, the seminal 20th century building occupies a sylvan setting in Pollok Country Park four miles from central Glasgow. In 2016, Glasgow Life, the charity that delivers cultural, sporting and learning activities on behalf of Glasgow City Council, appointed John McAslan + Partners as architect and landscape designer to lead the museum’s five-year renovation and enhancement. 

John McAslan + Partners与专家团队合作，专注于三个关键目标：首先通过“结构优先”的翻新方法无缝修复建筑物，并改善其环境表现；接着强化建筑物的绿地设置；并且，经过仔细考量，打通内部的特定区域，展示画廊的水平和垂直运动，并增加可供欣赏的的收藏品比例。

Working with a team of specialists, John McAslan + Partners focussed on three key project aims: to seamlessly repair the building and improve its environmental performance by a “fabric first” approach to its renovation; to strengthen the building’s parkland setting; and, after careful consideration to open up select areas of the interior to articulate the horizontal and vertical movement through the galleries, so that a greatly increased proportion of the collection can be enjoyed at any one time.

团队在保留的现有入口的东侧的基础上增加了一个独立的入口，从相邻的广场进入，创造了一个更妙的自然环境，游客也可以在这里放松或野餐，或者在东南角的咖啡馆逗留。

A discrete entrance has been added to the east of the retained existing entrance accessed from an adjoining paved piazza that creates an enhanced natural setting where visitors can also relax or picnic or spill out from the café at its southeast corner.

与入口序列相邻，一个新朝向的体量将博物馆层连接到夹层画廊，并通过阶梯式座椅向下连接到下面新开放的花园层，后者如今容纳了一个展览和活动画廊，与可视艺术仓库、工作室、焕发新生的咖啡馆和远处的公园绿地相连。

Adjoining the entrance sequence, a new orientation volume connects the museum levels up to the mezzanine galleries and down by a stepped seating arrangement to the newly opened-up garden-level floor below. The latter now accommodates an exhibition and events gallery connected to a viewable art storage space, workshops, the rejuvenated café and parkland beyond.

▽夹层展览空间

John McAslan + Partners为The Burrell博物馆设计了景观。这项工作由John McAslan + Partners' 景观和城市设计工作室的负责人 Andy Harris 负责。 “建筑，公园和林地之间的关系是1980年代原始设计提案中的标志性叙事。 我们对景观的“更新”尊重原始设计愿景，同时精心整合新元素，与新一代游客互动。通往博物馆的无障碍通道，灵活的入口广场，咖啡厅露台和圆形剧场将为游客提供更清晰、更加引人入胜和多样化的用户体验。”Andy Harris如此描述道。

John McAslan + Partners designed the landscape for The Burrell. This was led by Andy Harris, Head of John McAslan + Partners’ Landscape and Urban Design Studio. He describes the practice’s approach,“The relationship between building, parkland and woodland was an iconic narrative in the original 1980s design proposal.  Our ‘updating’ of the landscape respects the original design vision whilst carefully integrating new elements to engage with a new generation of visitors.  Accessible routes to the museum, a flexible entrance plaza, café terrace and amphitheatre will provide a more legible, engaging and diverse user experience.

回到展廊，游客将邂逅当下按主题策划的藏品和沉浸式叙事。翻新后的展馆共增加了35%的展览空间，绝大多数藏品都在现场，以便无障碍存放和轮换展出。

Back in the galleries, visitors will encounter the collection that is now curated thematically and using immersive narrative as the guiding vision for the Collection’s museography.  In total, an additional 35 per cent of the gallery space has now been added from the previous arrangement and with the great majority of the collection on site for accessible storage and to assist with its rotation.

▽具有艺术气息的门廊

 “从各方面来说，”John McAslan + Partners的创始人John McAslan称，“我们尊重原始架构并对其进行了适当的调整。此外，我们自始至终都引入了节能技术，同时重新考虑馆藏的需求，以支持改进馆藏的保存、叙事和轮换。 包括北向采光的画廊，被人们亲切地称为'林中漫步'，这是Gasson设计中的一种力量。”

“In all cases”, says John McAslan, Founder of John McAslan + Partners, “we have respected the original architecture and adjusted it appropriately. Additionally, we have introduced energy conservation techniques throughout, whilst reconsidering the needs of the Collection to support the improved conservation, interpretation, and rotation of the Collection.  This includes the Collection’s particular requirements within the enfilade of north-lit galleries, affectionately known as ‘the walk in the woods’, a tour-de-force within Gasson’s design”.

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▽分层平面图

▽立面图

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Architect: John McAslan + Partners

Client: Glasgow Life
Location: Glasgow
Type of Project: Cultural / Heritage/ Renovation and new build
Date of Commission: 20th May 2016
Start on Site: August 2018
Completion: 7th March 2022
Form of contract: NEC3
Budget: £68.25 million project
Funding: Glasgow City Council & HLF (15m)
Construction cost: £2,264/sq.m
Ares: 13,253sq.m

Design Team at JMP
The Burrell – Architecture: John McAslan, Paul East – Project Lead, Chris Ravenscroft, Heather Macey, Katherine Watts, Tom Roberts, Paddy Pugh, Hannah Lawson
The Burrell – Landscape Design, Andy Harris – Project Lead, Celia Guerreiro, Kit Bullas, Kevin Simpson