Mantinum历史遗产景观干预

该项目有三个目标：首先是在港口和巴斯蒂亚城堡之间建立一个愉快的联系空间，其次是设计一个绿色的剧院，最后是恢复Romieu花园。

The project has three aims: first creating a pleasant link between the port and the Citadel of Bastia, second designing a theatre of greenery, and last but not least restoring the Romieu garden.

干预措施发生在城堡的中心，在一个非常陡峭的斜坡上，它表达了修复城堡的目标，成为城市和水之间公共空间发展的媒介。从山腹到平台，从楼梯到坡道，从花园到广场，项目增加了沉思和散步的空间，为游客提供了有顺序的路线选择，在地平线上的开口和岩石、墙壁和植被上的狭窄之间交替进行。

The intervention takes place in the heart of the citadel on a very steep slope, and it expresses the objective of retrieving that citadel which has become a medium for a public space development between the city and the water. From belvederes to platforms, from staircases to ramps, from gardens to squares, the project multiplies the spaces of contemplation and strolls, offering visitors the choice of sequenced routes, alternating between openings on the horizon and narrowing on the rock, the walls and the vegetation.

建筑在这里作为解决和澄清场地的几何形状的工具而脱颖而出，因此采用了朴素的手法，从相邻的墙壁上借鉴了它们的粗糙的质感。电梯的形状类似于靠在岩石上的挡土墙，与城堡的护栏连在一起。

Architecture stands out here as a tool for resolving and clarifying the geometries of the site, hence the adoption of a plain writing which borrows from the adjoining walls their roughness and mass. The shape of the elevator is similar to a retaining wall leaning against the rocks, in continuity with the parapets of the citadel.

材料是项目核心

在使用从悬崖上提取的材料来生产独特的混凝土时，体现了与当地材料的和谐平等。该材料被改造，通常是无害的或工业的，混凝土变成了手工的和特殊的。在这种情况下，"干混凝土"产生了统一的灰米色的阴影，并被浇铸在所有垂直和水平结构的建筑覆盖层中。这种独特的票面混凝土在经过对模板的特殊处理后，还具有整齐和印记的外观。

Materials are at the heart of the project’ intentions

A measured and fair choice is translated in the use of aggregates extracted from the cliff for the production of a unique concrete. The material is then transfigured. Usually innocuous or industrial, concrete becomes artisanal and exceptional. In this case the “dry concrete” has a uniform gray-beige shade, and is cast in place as an architectonic cladding for all vertical and horizontal structures. This unique fare-faced concrete also has a neat and stamped look after a special care of the formwork.

除了它的表面处理，而且完全由现场的骨料组成（Cipollino大理石+抛光片岩），混凝土在48厘米的模板高度上每隔16厘米就有一个捣固床。混凝土的凹凸不平和色调，深深地反映了工地的情况，也反映了项目所依赖的岩石的特性。没有运输或进口，以及就地取材是一个负责任的经济选择，有利于执行和手工作业。

In addition to its finish, and being composed exclusively with the aggregates of the site (Cipollino marble + polished schist) the concrete is executed by tamping beds every 16cm on a formwork height of 48cm. Concrete with its asperities and hues, reflect thereby deeply the site and refer to the identity of the rocks on which the project leans. The absence of transport or importation, and the ex-nihilo extraction of materials are a responsible economic choice that benefits the execution and the handwork.

▼施工过程 Construction Process

该项目通过其材料锚定在科西嘉的领土上，寻求一种混合技术和长期的实施，证明了对当代建筑的普遍参与；这反过来又围绕着谦虚的价值观，要求自然，以及社会和环境责任。

This anchoring of the project to the Corsican territory by its materials, its seeking of an implementation mixing knowhow and long duration, testifies of a general engagement towards contemporary architecture; which is in turn articulated around the values of modesty, demanding nature, as well as social and environmental responsibilities.

Project: MANTINUM

Design Firm: Buzzo Spinelli Architecture

Location: Bastia (2B)

Program: Creating a pleasant link between the port and the Citadel of Bastia, designing a theatre of greenery, and restoring the Romieu garden

General contractor: Bastia’s municipality

Project management:

Buzzo Spinelli Architecture

Antoine Dufour Architectes – patrimony

Atelier GAMA – landscaper

Batiserf - structural engineers

BETEM - road engineers and various networks

Contractors :

Brando BTP + Contact Construction - Earthworks, grading and levelling, Structural works, Roads and various

Networks, Socofer - Locksmith works, Signage, Schindler - Elevators, Technicalarm - Dry networks and Public lighting, Corse Paysage - Green areas

Areas: 7 089 m2

Cost: 2 400 000 € HT

Schedule: March 2020

Photography: Celia Uhalde