美国·“无限的太空舱”装置艺术

公司：	Vincent Leroy	类型：	景观
地区：	美国	标签：	艺术装置

文森特·勒罗伊(Vincent Leroy)在亚利桑那州沙漠中创造了一个万花筒。这个装置承载了近600面凸面镜，给身临其境的观赏者创造了一个沉浸式的观赏体验。从外部看，镜子的尺度反映了周围景观的碎片化视觉。在里面，行人进入了一个无穷无尽的万花筒。凸面镜创造了一个分形图案，游客和景观似乎在不同尺度的镜面上无休止地重复。

Vincent Leroy imagines a kaleidoscopic capsule in the Arizona desert. Both in situ & immersive, the installation, clad with nearly 600 convex mirrors, offers different reading levels. From the outside, the mirror scales reflect a fragmented vision of the surrounding landscape. Inside, the passers-by enter an endless kaleidoscope. Convex mirrors create a fractal pattern where visitors and landscape seem to repeat themselves endlessly at different scales.

▽在沙漠中丢失的神秘胶囊，An enigmatic capsule lost in the middle of the desert.

▽常规视角，General view.

▽俯视图，Top view.

热爱广阔空间的法国艺术家文森特·勒罗伊(Vincent Leroy)正是在亚利桑那州的沙漠景观中构思了他的最新项目“无限的太空舱”。

Lover of wide open spaces, it is in the desert landscapes of Arizona that the French artist Vincent Leroy imagined his latest project Infinite Capsule.

▽天空中的倒影，Reflections in the sky.

▽无限自拍，Infinite selfie.

▽访客进入一个无尽的万花筒，The visitor enters an endless kaleidoscope.

覆盖了近600个凸面镜，光学装置提供了不同的视觉感受。从外面看，它就像海市蜃楼，是迷失在沙漠中央的神秘存在。一个巨大的防护层反射着外部景观，同时进行着分裂和衍射。

Clad with nearly 600 convex mirrors, the optical installation offers different reading levels. From the outside, it appears like a mirage, an enigmatic presence lost in the middle of the desert. A giant cocoon in the scales of which the landscape is reflected, fragmented and diffracted.

▽既封闭又无限的空间，A space both closed and infinite.

▽千变万化的景观，Kaleidoscopic landscape.

▽外部与内部对话，The exterior dialogues with the interior.

艺术品的内部形成了一个既封闭又无限的空间。参观者进入了一个无穷无尽的万花筒，发现自己的形象被周围的凸面扭曲和倍增。镜子与周围的沙漠重叠，相互反射，创造出分形图案，游客和景观似乎在不同尺度的镜面上无休止地重复。这是一场尺度游戏，以某种方式将浩瀚的沙漠带入了更人性化的层面。事实上，对于艺术家来说，作品不仅与风景对话，也与我们与自己形象的亲密关系和互动对话。

The interior of the artworks forms a space that is both closed and infinite. The visitor enters an endless kaleidoscope and finds himself face to face with his image distorted and multiplied by the convex surfaces that surround him. The mirrors overlay with the surrounding desert and reflect each other, creating a fractal pattern where visitors and landscape seem to repeat themselves endlessly at different scales. A game of scales that somehow brings the immensity of the desert to a more human dimension. Indeed, for the artist, the work dialogues as much with the landscape as with our intimacy and our interaction with our own image.

▽与景观重叠的分形反射，Fractal reflections overlaying with the landscape.