“Forms & Textures”展览

公司：	Masquespacio	类型：	艺术
地区：	无	标签：	展览空间

自2010年Masquespacio工作室成立以来一直在从事各种室内和产品设计。在此过程中，团队始终有个疑问，即艺术与设计之间的界限是什么？工作室的项目究竟是100%的设计作品，还是由于其大量的细节，情感和深刻的意义，成为了两者之间的混合体？

Since we started our studio Masquespacio in 2010 we have been working on a wide range of interior & product design projects. Many times, during this process we have been questioning what are the boundaries between Art & Design. Is our work to be considered a 100% design work or could it be pronounced as a mix between both, due to its amount of details, emotions and profound sense, questioning the regular and searching for a specific sense behind each concept?

设计师需要将功能细节整合到餐厅设计中，使相同室内设计中纯粹的艺术特征被定义为设计元素。

Are the functional details we need to integrate in our designs for restaurants, making our artistic features in the same interiors being defined as a design element although it is purely an artistic feature?

如果像Alex & Andrea系列那样的家具设计不是纯粹为了打造一对功能性的座椅使用，而是作为一种艺术元素，希望带给人们反思，一种在性别友好的世界中被认为代表男性或女性的材料会是什么样的？

What if our furniture designs like the Alex & Andrea collection are not created with the purpose of being purely a functional pair of seats, but as an artistic element that wants you to make reflect about what is to be considered a masculine and feminine material in our gender-friendly world?

通过本次的“Forms & Textures”展览，团队希望开始讨论艺术与设计之间的界限。谁负责定义一个物品是被视为艺术品还是仅仅作为一件设计品？功能是将对象定义为设计元素而不是艺术品的唯一考量吗？还是物品背后所反映出的内涵使它成为一种艺术诠释？

With the “Forms & Textures” exhibition we want to start the discussion about the boundaries between Art & Design. Who is responsible to define if an object is considered an artwork or just a design? Is functionality the only reason to justify an object as a design element instead as an artwork? Or is it the reflection behind the object that makes it an artistic interpretation?

从这种意义上来讲，“Forms & Textures”展览呈现出一系列独特的作品，乍一看可以理解为座椅、灯具或房间隔板，它不寻常和令人不习惯的形式清楚地表明这不是一种功能性设计。

The "Forms & Textures" collection in this sense is presented as a serie of individual objects that could be interpreted at first sight as a chair, a lamp or a room divider, although its unusual and at first sight uncomfortable forms are making clear that we are not speaking about a functional design object.

从纸上绘制的线条到3D打印的实体，团队创造了一系列不同形式的收藏品，既可以用作家具和照明，也能根据其不寻常的形式将它们转换为艺术品，让使用者反思艺术与设计之间的界限。

The collection created from a line drawn on paper to a 3D printed object thus recreates a serie of different forms that could represent a furniture and lighting collection, but although its unusual and unusable forms convert them in an artwork challenging the viewer to reflect about the boundaries between Art & Design.