CAFUBE.casa殡葬馆

公司：	LOKOMOTIV.archs office	类型：	建筑
地区：	瑞士	标签：	纪念性空间

在寻找建筑对象的内在美的过程中，纯粹和功能的共轭，包含的沉默，栩栩如生的短暂，痛苦和平静的拥抱这个建筑于一体，突出了与一个建筑纪念碑的对比，其庞大的性格，沉重，紧缩，平衡和功能的一致性是大师。指导这个项目的思想旋涡的关节和确定性是它的功能连贯性，它伴随着新的平衡的共谋和创造之光。

In the search for the intrinsic beauty of the architectural object, connubial of pure and functional, the containing silence, the ephemeral that comes to life, the pain and calm that embrace this building in one, highlight the contrast with an architecture monumental whose massive character, heaviness, austerity, balance and functional coherence are the masters. The joint and certainty that guides the whirlwind of ideas that enveloped this project was its functional coherence, which is accompanied by the complicit and creative light of a new balance.

项目安放在地面上，向往天空，在一个沉重的承重内部框架的组合中，外部由简单的板块包围，外观十分轻盈。这层透明而干净的“皮肤”，被三角形和纯粹的几何形状以线性和韵律的方式凿开，通过光线，它栩栩如生地出现在观察者面前，让光线“溜进”缝隙，创造出随时间变化的阴影。

The object rests on the ground, aspiring to the sky, in a combination of heavy load-bearing internal skeleton wrapped externally by a candid origami of slabs with a light and suspended appearance. This diaphanous and clean skin, chiseled in a linear and rhythmic way by triangulations and pure geometric shapes, comes to life and interrogates the observer through the light, which creeps into the slits and creates shadows that change over time.

因此，这座建筑成了一个时间的日晷，它不是真实的，也不是有形的，但它指的是人和生命的时间，指的是一天中接踵而至的经历，并在日出时重生。

The building thus becomes a sundial of a time that is not real and tangible, but that refers to the times of man and life, of the experiences that follow one another in a day and that are reborn at sunrise.

项目的纪念性和紧缩性还体现在内部环境的布局上。设计师的注意力转移并集中在对那些存在于参观者视线之外的隐秘的干预和机制的斟酌和完全消解上。因此，配置了两条不同的流线，一条是回忆和仪式的公共氛围的流线，一条是专业相关的技术空间。

The monumentality and austerity of this architectural typology is also reflected in the distribution of the internal environments, vertical distribution through a stairwell and lift, and in the articulation of these environments that respect the natural turn of the deceased's body's preparation practice. The attention of the designer shifts and focuses on the discretion and complete dissimulation of the interventions and mechanisms that exist hidden from the visitor's sight. Thus, two distinct design lines are configured that parallel public atmospheres, of recollection and ceremony, with technical spaces linked to the profession.

来访者的迎宾处由一个接待处组成，其极简的色调创造一个了从外部到内部神圣的氛围。设计师的目光久久停留在来访者感兴趣的主要房间，是由二楼的三个小房间组成的，它们可以俯瞰一楼的主厅。这三个房间适合以一种直接、亲切、收敛的方式来迎接逝者。外面的围护结构的光线渗透到天窗的玻璃表面，与内部气氛巧妙地融合在一起。在主告别室中也有同样的天顶光。

The visitor's welcome consists of a reception whose candid color is a direct reflection of the envelope, and whose choice of materials is dictated by the desire to create a tension-free passage from outside to inside. The main rooms that interest the visitor and on which the designers' gaze has lingered for a long time are made up of three small rooms on the second floor which overlook the main hall on the ground floor. The three rooms are suitable to welcome the deceased in an immediate, intimate and collected way. The light that permeates the envelope outside permeates the glass surface of the skylights and delicately blends with the internal atmosphere. This same zenithal light is found in the main farewell room, whose peculiarity lies in the wide breath allowed by the opening on a double height.